![]() ![]() Is that not sufficient?When one is learning a new workflow, it is useful to have both a paint by numbers set of templates, and a full explanation of each. Jim Simon wrote:There is a section in the Reference Manual under Setup and Workflows>Data Levels, Happy to answer any questions you might still have. If you still need to understand more of what ACES itself is I found this site to be quite resourceful. Set your output space to your deliverable so your file tags will be proper. In your project settings you set your timeline to also be ACEScct so colorspace aware grading tools match your grading space. Then on clip level you can grade and on group-post-clip you set your ODT with an ACES Transform coming from ACEScct. On the Group-pre-clip you set an ACES transform to go from your camera native space to ACEScct and apply the reference gamut compression there. It's easiest to use groups for your clips to grade. You can also opt for a manual setup which helps if you need display referred Fusion elements like texts otherwise they'll be tonemapped. Rightclick all your footage and choose the proper input colorspace/transfer function and you're off to the races.įor raw footage you don't have to do anything because Resolve auto handles conversion. You set the project settings to ACEScct, ACES version 1.3, set your output. ![]() IDT (input to timeline conversion -> Timeline Working Space (grading happens here) ->(timeline to output converison) ODT It is very similar to how DaVinci Color Managed works. If you are familiar with what ACES is and means for your workflow then there is not much to cover in regards of setting it up in Resolve. I can't think of a 'Definitive Guide' that I came across but Cullen does indeed cover the topic reasonably well.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |